凌濛初创作的《初刻拍岸惊奇》、《二刻拍案惊奇》,一是大量涉及性爱题材,具有反禁欲的开拓性;二是凌氏并未全心投入晚明的纵欲洪流,作品具有反纵欲的收敛性,从而使其性爱观呈现出二元性的特征。本文旨在揭示这一特征并探求它产生的心理根源。 Ling Mengchu’s creation of “the first moment of a shore bank surprise”, “two times a case of astonishment”, the first is a large number of topics involving sex, with anti-abstinence pioneering; Second, Ling did not devote themselves fully into the torrent of late Ming dynasty, works With the anti-lust of the convergence, so that the concept of sexuality showed a duality characteristics. This article aims to reveal this feature and explore its psychological origins.