纵观当今中国画坛,工笔画一直未能被给予足够的重视。按照传统的观点,工笔画的境界是比不上写意画的。于是许多人一提起工笔画,便一律斥之为工匠画。未免有所偏颇,中国工笔画历史悠久,许在战国时期已出现,唐宋时期工笔画达到鼎盛,如《簪花仕女图》和《虢国夫人游春图》便是传世名作。其实,工笔画不过是一种画法,无所谓境界的高与低,其原本含义是与粗笔画相对应的,后逐渐转变为与写意画相对。事实上,工笔画一样可以表现出悠远的境界,寓 Throughout today’s Chinese painting, the fine brushwork has not been given enough attention. According to the traditional view, the realm of the stroke of the painting is less than the freehand brushwork. So many people once referred to as artisans painting when they mentioned painting. Chinese biographies have a long history and may have appeared during the Warring States Period. The fine brush strokes reached their peak during the Tang and Song Dynasties. Actually, the style of painting is nothing more than a kind of painting method. The original meanings are corresponding to the thick strokes, and then gradually turn into the opposite of freehand painting. In fact, the same style of painting can show a distant realm