二十几年以前,当小剧场话剧刚刚出现在北京人艺舞台上的时候;十年前,当孟京辉《恋爱的犀牛》以小剧场话剧形式出现的时候:当小剧场运动起起落落、艰难前行的时候;当欣喜、激动、疑虑、批评等各种声音不绝于耳的时候,我们就为小剧场话剧期许一个蓬勃而充满活力的未来,这不仅是艺术规 Twenty years ago, when the mini-theater drama just appeared on the Beijing Art Stage; ten years ago, when Meng Jinghui’s “Rhino of Love” appeared in the form of a mini-theater drama: When the mini-theater movement was ups and downs, it was difficult As we move forward, we can expect a thriving and vibrant future for the theater’s drama when delight, excitement, doubt, criticism and other voices are heard. This is not only a matter of artistic regulation