去年曹禺同志在中青年读书会上向我们谈了他的创作经验,他从自己几十年的创作体会中告诉我们要走一条从生活出发、从人物出发的创作道路。他告诉我们创作要有真情实感,要写自己真正感动过的题材,写自己爱极了、恨透了的人物。这是极其宝贵的经验。他的《雷雨》、《日出》、《北京人》等话剧半个世纪以来一直撼动着人们的心灵。时光的流逝,历史的演进,时代的变迁,都不能稍减它的思想力量和艺术魅力。写戏不能从思想出发或从主题出发。曹禺 Last year, Comrade Cao Yu talked about his creative experience at the young and middle-aged reading conference. From his decades of creative experience, he told us that we should take a creative path starting from life and starting from the characters. He told us that creation should have true feelings, to write about the subject that we really touched, and to write the characters we love and hate. This is an extremely valuable experience. His drama “Thunderstorm,” “Sunrise,” “Peking Man” has been shaking people’s minds for half a century. The passage of time, the evolution of history, and the changes of the times can not diminish its ideological power and artistic charm. Writing can not start from the idea or from the theme. Cao Yu