对于那些对传统设计了解不深入的人来说,经常会习惯性地认为工艺属于实用美术范畴,而且除了实用之外,还附加了装饰生活之功用,往往很难与精神性和思想性联系起来;以至于在很长一段时间内学界较少探讨和论述传统设计所蕴涵“形而上”的“道”。由于种种原因,长期以来与设计思想中不少原本深刻的问题,或是浮光掠影般的被浅层次探讨,或被直接地“悬置”了起来,这不能不说是一种遗憾和缺失。事实上,古代的造物除了实用之外,它的确也承载 For those who do not know deeply about the traditional design, it is often customary to think that the craft belongs to the field of practical art. In addition to being practical, it also adds the function of decorative life and is often difficult to relate to spirituality and ideology. So that in a long period of time, the academic circles rarely discussed and discussed the “Tao” of traditional metaphysics. For a variety of reasons, it has long been a question of a lot of original and profound issues in design thinking, or the superficial discussion of the glittering sketches, or the direct “suspension” Missing. In fact, ancient artifacts, in addition to being practical, are indeed carried