在小说史上,为文本配图曾是书坊主刊刻小说的重要环节,过去我们对这种加像行为的解读,较为注重它的商业动机和叙事功能,而较少关注插图本身可能存在的“画外之音”。事实上,在插图的编纂过程中图像作者并不仅仅着眼于用画面“再现”文本,同时还有可能借助小说插图自身独特的表意机制和“语法”规则,通过图像选编、题榜、排序、钤印等方式,或有意、或无意地将他们对文本的理解和评论带入到插图之中,使小说插图实际上具备了一定的批评功能。 In the history of novels, the distribution of figures for the text has been an important link in the publication of the novels of the first edition of the bookstore. In the past, our interpretation of this act of adding more emphasis on its commercial motivation and narrative function, but less on the illustration itself may exist. Voice of painting “. In fact, in the process of compilation of illustrations, the author of the image does not only focus on the text ”Reproduction“, but also through the selection of the images through the unique ideographic mechanism and ”grammar" rules of the novel illustrations. List, sort, print, etc., intentionally or unintentionally bring their understanding of the text and comments into the illustrations, so that the novel illustrations actually have some criticism.