画室搬来宋庄已近两年了,之前在草场地那边的北皋,现在那里已拆迁为平地。来宋庄前我曾和很多朋友说过,我不会去宋庄,因为我最初对宋庄的感觉就是乱,环境乱,人也乱,在那种偏远的荒蛮的环境里,艺术家来自五湖四海,混杂在村落,穿梭在农民和各种盲流人群中,人群中有一种草根的自由的野生力量,这种力量可以催毁生活力,也可以摧毁健康的自然生态和人文生态,是个野生野长的艺术江湖。北京的艺术区,即艺术家的工作室聚集区,以往大多散落在北京的城乡结合部,即北京的 Studio moved to Songzhuang for nearly two years, before the grass field there Beigao, where the demolition has now been flat. Before I came to Songzhuang, I told many friends that I would not go to Songzhuang because my initial feeling of Songzhuang was chaos, chaos in environment and chaos in people. In that remote and barbarous environment, the artist came from All corners of the country, mixed in the village, shuttle in the peasants and various groups of blind people, the crowd has a grassroots free wild force that can destroy life force, you can also destroy the healthy natural and human ecology, is a wild wild Long art arena. Beijing’s art district, the artist’s studio gathering area, was mostly scattered in the urban-rural part of Beijing, Beijing’s