19世纪中叶俄罗斯,比起其他欧洲各国资本主义发展缓慢,落后的农奴制造成国内阶级矛盾激化,对外战争连年失败。在这内乱外患的现实背景下,与印象派同时期的俄罗斯风景画家,并未单纯地追随印象派光与色的游戏,而是独树一帜,开创了符合自己国情的“情绪风景”。“情绪风景”的画家善于抓住景色中最寻常的一个角落,融入人的微妙情绪,使自然人格化,通过自然表达人类的复杂的情感世界,将自然物象与人的富有诗意的幻想和人格 In the mid-19th century Russia, compared to the slow development of capitalism in other countries in Europe, backward serfdom made the domestic class conflicts intensified and the foreign wars failed year after year. In this realistic context of civil strife and foreign invasion, the Russian landscape painter of the same period as the Impressionists did not simply follow the impressionistic light and color of the game, but created a unique “emotional landscape” that was consistent with his own national conditions. “Emotional Landscape ” painter is good at seizing the most common corner of a scene, into the subtle emotions of people, natural personality, through the natural expression of human complex emotional world, the natural objects and the poetic fantasy and Personality