论文部分内容阅读
蒋志鑫作为从甘肃敦煌走来的书画家,他对敦煌书法有着深厚的领悟,在其创作的《谭嗣同诗》《心经》书法作品里能明显看出敦煌书法艺术对他的影响,能看出写经体的随意与风格。蒋志鑫的作品也很好地继承了汉唐行草书尤其狂草的潇洒与大气,他的作品贯通了一种一泻千里的气势与雄浑,特别深得怀素的书法精髓与风骨,《天地无言、心灵有感》显得一气呵成,在用笔的复杂性中透露了对怀素笔法的应用。
Jiang Zhixin, a calligraphy and painting painter who came from Dunhuang in Gansu Province, has a profound comprehension of calligraphy in Dunhuang. In his calligraphy works of Tan Si Tong Shi and Heart Sutra, he can clearly see the influence of Dunhuang calligraphy on him. The body by the random and style. Jiang Zhixin’s works are also well inherited the Han and Tang cursive especially maddening chic and atmospheric, his works through a momentum of a hesitating and vigorous, particularly won the essence of Huai Su’s calligraphy and style, “heaven and earth speechless, soul Feeling ”seems one-off, in the complexity of the pen revealed the application of Huai Su-stroke.