面对当代中国“去政治化”的历史逻辑,汪晖的“政治化”策略是我分析问题的前提。首先,我试图阐明批评在当代语境中的位置和可能性。其次,我将以分析一个电影画面开始,实践针对审美形式的政治化策略。通过综合詹姆逊、伊格尔顿和齐泽克等众多的理论资源,我尝试揭示“形式”背后的中国当代意识形态以及改革后的社会矛盾。 In the face of the historical logic of contemporary “de-politicization,” Wang Hui’s “politicization” strategy is a precondition for my analysis of the issue. First, I try to elucidate the position and the possibility of criticism in contemporary contexts. Secondly, I will begin by analyzing a movie screen and practice a politicized strategy aimed at aesthetic forms. By synthesizing numerous theoretical resources such as Jameson, Eagleton and Zizek, I try to reveal the contemporary Chinese ideology behind the “form” and the social contradictions after the reform.