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按照大的歷史分期來看,巴蜀書法~②的發展有三個高峰期:一是漢代石刻,二是兩宋帖學,三是現當代碑帖結合的創作實踐;在其餘的歷史階段則處於低谷,有的階段甚至寂然無聞。因此,巴蜀書法整體呈現出W字樣的歷史圖示,波峰與波谷之間落差巨大,令人唏噓。本文主要對先秦兩漢時期的巴蜀書法作一簡述,並勾勒出巴蜀書法在源頭上的巨大成就和在中國書法史上的崇高地位。
According to the large historical staging, there are three peak periods in the development of calligraphy of Bashu (2): stone carving in the Han Dynasty, postgraduate study in the Song Dynasty and post-calligraphy in the Song and Song Dynasties; thirdly, the creative practice of the combination of modern and contemporary tablet rubbings; at the other historical stages, Some stages are even obscure. Therefore, Bashu calligraphy as a whole shows the W icon of the historical illustration, a huge gap between the peak and trough, it is sad. This article mainly makes a brief introduction of Bashu calligraphy in pre-Qin and Han Dynasties and outlines the great achievements of Bashu calligraphy at the source and the lofty status in Chinese calligraphy history.