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1931年6月,鲁迅为“一八艺社”展览会写了一篇内容深刻的檄文——《一八艺社习作展览会小引》,文章指出:现在的艺术,总要一面得到蔑视,冷遇,迫害,而一面得到同情,拥护,支持。一八艺社所作的艺术,在这旧社会里,是新的,年青的,前进的。他预言这新的艺术:“以清醒的意识和坚强的努力,在榛莽中露现了日见生长的健壮的新芽。自然,这,是很幼小的。但是,惟其幼小,所以希望就正在这一面。”[1]鲁迅所讲的新的艺术指的是新兴木刻。新兴木刻是经鲁迅推介从国外引进的,到国内有个
In June 1931, Lu Xun wrote a profound essay entitled “Eighteen Arts and Social Work Exhibitions” for the “18 Arts and Social Exhibition”. The article pointed out: Nowadays art always needs Contempt, cold reception, persecution, while being sympathetic, supportive and supportive. The art made by an art society is new, young, and advancing in this old society. He predicted this new art: “Naturally, this is a very young shooter with a conscious and hard work, but it is young, but I hope it is This side. ”[1] Lu Xun’s new art refers to emerging woodcuts. Emerging wood engraving is introduced by Lu Xun from abroad, to the domestic one