水墨是一个绘画名词,谁也不曾想到她会变老。可20年前她却老了,连同“中国画穷途末路论”一起,让前行者眼前一片墨色。水墨本不该老去,因为地球上拿着毛笔蘸着墨书写华夏文明的人太多太多。水墨本不该老去,因为在水与墨相融时,总会变幻出精彩的万千世界。想到此,看来老去的是可怕的没有创造意识的青春思想。青春是改变历史的力量,青春也是改变绘画的力量,青春的绘画态度会有更新固有的主张。青春有自由自在地表达的张狂,有对可能的期待的理想。思想青春了,作品就创新了,水墨也就青春了。近日,一批具有青春面貌的水墨画家走到了一起,他们是舒建新、任惠中、李晓明、王珂、张立奎、王淼田、常朝晖、丘挺,他们风格各异,题材不同,尽管他们早已小有成就,但创新与生活依然是他们不折不扣的共同主张。只要拥有这两样东西,水墨就会青春,水与墨便会在思想的轨迹下生变成万千生动的图像,焕发出绘画青春与生命青春。 Ink is a painting term, no one ever thought she will grow old. But 20 years ago she was old, along with “Chinese painting the dead end of the road,” together, so that the forefront of an ink color. Ink should not be old, because the earth holding a brush dipped in ink Huaxia civilization written too much. Ink should not be old, because in the water and ink blending, there will always be a wonderful world of thousands of changes. Thinking of this, it seems as if the oldest is a horrifying youthful mind that does not create consciousness. Youth is the power to change history, and youth is also the power to change painting. The attitude of painting in youth will be updated with inherent ideas. Youth has the freedom to express insolence, there is the ideal of possible expectations. Youthful thinking, works on innovation, ink is also young. Recently, a group of young painters came together. They are Shu Jianxin, Ren Huizhong, Li Xiaoming, Wang Ke, Zhang Likui, Wang Miaotian, Chang Zhaohui and Qiu Ting. They have different styles and different themes despite their small success , But innovation and life are still their common proposition. As long as possession of these two things, ink and wash will be youthful, and water and ink will become thousands of vivid images under the track of thought, giving birth to drawing youth and life youth.