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20世纪80年代,在那个各种文学理论模式如雨后春笋般冒出国内文论界地平线、互相争奇斗妍的时期,钱中文先生围绕文学审美反映问题发表和出版了一系列论文论著,这些研究,共同表达了文学审美反映的观点。在当时各种文学理论观点众声喧哗的浪潮中,审美反映论也许并不那么新潮和具有震惊效应,但大潮过后回视平静的海滩,这大约是经得起时间冲刷而保留下来的闪亮珍珠之一,值得我们细细观赏和倾听,在那里去领略当年文学理论浪涌潮奔的壮阔。本文对钱中文先生审美反映论思想的基本内容、内在逻辑、历史特征与理论价值展开描述和评价。
In the 1980s, when various theoretical models of literature popped up the horizon of the domestic literary circles and fought against each other, Qian Zhongwen published and published a series of dissertations on the aesthetic reflection of literary works. These studies , Jointly expressed the views of literary aesthetics. Aesthetically-reflected theory may not be so trendy and shocking at this time in the various noisy waves of literary theory, but returning to calm beaches after the tide is about shining pearls that have stood the test of time One, it is worth our careful watching and listening, where to enjoy the magnificent wave of literary theory surge. This article describes and evaluates Qian Zhongwen’s basic content, internal logic, historical features and theoretical value of aesthetic reflection theory.