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虽然利奥塔在《话语,图形》(1971)一书中的语图(语言和绘画)观与梅洛-庞蒂有冲突,但该书发表15年后利奥塔仍强调自己在对理性主义的批判方面是“梅洛-庞蒂的追随者”1。大卫·卡罗尔指出:“自梅洛-庞蒂以来,可能没有哲学家像利奥塔那样用艺术提供对一般话语的批判性视角的方式关注绘画和批判性话语的联系和或非-联系问题。”2利奥塔和梅洛-庞蒂都把对反思哲学(意识哲学、主体哲学)的批判
Although Lyotard’s discourse (language and painting) concept in Discourse, Graphics (1971) is in conflict with Merleau-Ponti, 15 years after Lyotard’s publication, Lyotard still emphasizes that he is rational The critical aspect of doctrine is “Meryl - Ponty followers ” 1. David Carroll states: “Since Merleau-Ponty, there may not be philosophers concerned with the connection between painting and critical discourse in the way that Lyotard did with art providing a critical perspective on general discourse. Or non-connected issues. ”2 Both Lyotard and Melo Ponti make the critique of reflective philosophy (philosophy of mind, subject philosophy)