一五十集电视连续剧《渴望》的播出,在京津等地引起了轰动,在南方城市,也是一个收视率极高的剧目,几乎风靡了大半个中国。一个电视剧,能受到如许的关注,必有道理;众说纷纭,则更有其道理。道理就是规律。本来,从《渴望》引伸出去,讨论若干戏剧创作,或者说文学创作的规律性问题,应该说是一个饶有兴趣的题目。可惜的是,我看《渴望》,稍微有些断断续续,虽然由于中央台和上海台的交叉,有时补看了,大概还是没有能补看得十分齐全,而《渴望》的剧本又还没有看到,所以又未能对这个剧本进行仔细的研究。只能就印象谈问题,说不上讨论创作规律,只能谈些随想。谈随想也有个好处,可以少点拘束,想到哪里就说到哪里。倒也能说点实在话,少点论文腔。 Fifty-sequel television series “Longing” aired in Beijing and Tianjin and other places caused a sensation in the southern city, is also a very high-rated repertory, almost swept most of China. A TV series, to be such a concern, it makes sense; divergent views, then more reasonable. The truth is the law. Originally, it was an interesting subject to extend the term “longing” to discuss a number of dramatic productions, or the regularity of literary creation. It is a pity that I look at “longing,” a little more intermittently. Although the CCTV and Shanghai TV stations sometimes complement and sometimes I can not make up for it, the scripts of “longing” have not yet been seen , So they did not study the script carefully. Impression can only talk about the issue, can not be said to discuss the law of creation, can only talk about thought. There is also talk about the benefits, you can be less restrained, where you want to think about where. Too honest to say something, less essay cavity.