在中国画人物专业的教学大纲中,一、二年级的专业主课以工笔课为主。因此,工笔课是新生专业教学的“第一口奶”,是步入中国画艺术的第一个门槛。新生入学前,差不多也都学过一点中国画,有的倾向于“工”,有的倾向于“意”。但因为接受的教育不会很正规和系统,观念混乱,程度不齐便可想而知。因此,对中国画的认识只能是表面的、肤浅的。技法的把握只能是初步的。即使是附中上来的学生他们所具备的基础,也主要是造型基础。造型观念也往往是西洋的。所以进入中国画系,便有个观念转变的问 In the Chinese professional painting syllabus, the first and second grade major subjects to the main pencil. Therefore, it is the “first mouth milk” for freshmen major teaching and the first threshold to enter Chinese painting art. Before the freshmen entered the school, they almost all learned a little about Chinese painting. Some tended to be “workers” and others tended to “intent.” However, because the education they receive will not be formal, systematic or confused, they can be imagined to some extent. Therefore, the understanding of Chinese painting can only be superficial and superficial. Grasp the technique can only be preliminary. Even the middle school students come up with the foundation they have, but also mainly based on the shape. Modeling concept is often Western. So enter the Chinese painting department, there is a change of concept asked