“千字文”流传很广,影响已深,历代书写《千字文》者层出不穷。辽宁省博物馆藏铁保草书《临怀素千字文》卷,作于嘉庆二年(公元1797年,时作者45岁)。此卷体现了铁保个人的书法特性,与原作相比较,当在似与不似之间。再现了铁保的“丰者无骨,瘦者少腴,尚气魄者失怒张,矜风韵者趋柔媚,皆非书之正格也”的艺术主张。结合铁保生平及其书法艺术价值,可知其书名与其文名和官僚地位相关联,而且人或重其为官清廉,而宝爱其书。由故宫博物院收藏的颜真卿书《竹山连句》,可知其书法判断水平是值得令人商榷的,且其性格对其书法创作有着影响和阻碍。总之,铁保实为有清一代多才多艺的封建士大夫,值得重视。 “Thousand characters ” widespread, the impact has been deep, ancient writing “thousands of characters” one after another. Liaoning Provincial Museum of Tibet iron cursive “Pro Huai Su thousand words” volume, in Jiaqing two years (AD 1797, when the author 45 years old). This volume embodies the iron calligrapher’s calligraphic characteristics, compared with the original, when the like and not like. Reproduced Tiezhe’s “Feng who boneless, thinner less 尚, still angry and angry people Zhang, 矜 charm who are gentle, are non-book positive grid also” artistic proposition. Combining Tie Bao’s life with his art value of calligraphy, we can see that his title is related to his literary name and bureaucratic status, and his or her reputation as official clean, and his love of his book. Yanzhuang Qing’s book “Chushan Lianju”, which is collected by the National Palace Museum, shows that its calligraphic judgment is worth discussing and its character has an impact on and hinders its calligraphy. In short, Tie Bao is indeed a generation of versatile feudal doctor, it is worth attention.