中国第五代导演利用“大写意”的影像语言创造“文化寓言”式的电影,体现出鲜明的先锋性和现代性,因此第五代电影一度被认为是对中国电影现实主义传统的背离。事实上,第五代电影对本质真实的追求、固定长镜头的运用、兼具符号化和典型性的人物形象都体现了第五代电影在进行艺术创新的同时仍然保留了电影现实主义的艺术特色,第五代电影对于电影现实主义创作来讲,既有反叛又有发展。 China’s fifth-generation directors used the “big-letter” image language to create a “cultural allegory” film that embodies a distinctive avant-garde and modernity. Therefore, the fifth generation of film was once regarded as a criticism of Chinese film realism Traditional deviations. In fact, the Fifth Generation movie’s pursuit of the essence of reality, the use of fixed-length shots, both symbolic and typical characters embodies the fifth generation of films that retain the art of cinematic realism while performing artistic innovations Characteristics, the fifth generation of movies for the film realism is concerned, both rebel and development.