朱熹的禁戏历来被视作理学禁锢民间音乐的枷锁。本文拟从“存天理、灭人欲”的内涵、“禁戏”的历史背景、福建地方民俗等几个方面对此加以辨析,力图以更加客观全面的眼光看待朱熹的禁戏措施,还其更加公正的历史评价。 Zhu Xi’s ban has always been regarded as the shackles of Confucianism that kept folk music under control. This article attempts to analyze this from several aspects such as the connotation of “save the nature and destroy the human desire”, the historical background of “forbidden theater” and the local folk custom of Fujian so as to try to view Zhu Xi’s banning measures in a more objective and comprehensive way. More fair historical evaluation.