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作为宋代石窟艺术的代表,由文氏工匠雕造的石篆山石窟群呈现出独特的艺术倾向。在宋代新的时代背景下,镌匠开始在石窟题记中署名,根据这些署名,可以看出造像风格在一代代镌匠手中的演变。其中文惟简参与雕造的三龛:志公和尚龛、诃利帝母龛及文宣王龛的造型写实,异于同时代其他程式化风格倾向的石窟造像。本文试从此具有写实风格的三龛出发,初探文氏工匠造像风格的演变。
As a representative of Song Dynasty grotto art, stone grottoes Grottoes group carved by Venus artisans presents a unique artistic tendency. Under the new era of the Song Dynasty, the gunsmiths began to sign their names in the cave inscriptions. According to these signatures, we can see the evolution of the figurine style in the hands of generations of the Carpenter. The Chinese but simple to participate in carving three niches: Shigao altar niche, alluvial alchemy and Kobayashi Wang niche modeling realistic, different from the same stylistic tendency of other cave statues. This article tries to start with three realistic niches, exploring the evolution of the artisan’s style.