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宋代邵雍《皇极经世书》创立先天象数学,他用阴阳、五行、四象、八卦等象数概念构建了具有象数神秘色彩的语音框架,他“天声地音,律吕唱和”的隐喻模式对后世明清学者产生了深远影响。明代后期务实之风盛行,他们编制韵图时继承邵雍《皇极经世书》中的易学思想,往往采用阴阳、干支、四象、五行等易学与玄学概念,以象数思维模式解释语音生成演化的规律,如陈荩谟的《皇极图韵》、《元音统韵》,赵绍箕的《拙庵韵悟》等,不同程度上承袭发展了《皇极经世书》的哲学观。本文从《皇极经世书》出发,追溯源头剖析邵雍的象数音韵模式,以及后世韵书对《皇极经世书》的继承和发展。
Shao Yong in the Song Dynasty, “Huangji Jingshi Shu” founded the innate figure math, he used Yin and Yang, five elements, four elephants, gossip and other elephant concepts such as the number of mysterious color to build a framework for the voice, he The metaphorical model has a profound impact on scholars of the later Ming and Qing dynasties. In the late Ming Dynasty, the pragmatic style prevailed. When they compiled rhyme diagrams, they inherited the Yi-ology thought in Shao Yong’s “Huangji Jingshi Shu” and often used the concepts of Yi-ology and metaphysics such as Yin and Yang, Ganzhi, Si Xiang, Generating the law of evolution, such as Chen Mo-mo’s “Huangji rhyme”, “Vowel tone rhyme”, Zhao Shaoji’s “Zhuanyan rhyme” and so on, to varying degrees inherited the development of the “Huangji Jishi” philosophy. Based on Huangjianjingshu, this paper traces Shao Yong’s phonetic pattern of phonology and phonology of Shaoyong tracing back to the source, and the inheritance and development of Huangji Scriptures afterwards.