论文部分内容阅读
“我始终悬浮于季节之间,像是吸管里的残渣。”——阿巴斯被打上革命烙印的电影1979年2月发生的伊斯兰革命使得伊朗的电影业陷入瘫痪状态,一直持续到1983年。从197g至1982年,伊朗上映的绝大多数本土电影都是在革命之前拍摄的,此后,革命以及推翻沙阿统治成为伊朗电影人钟爱的主题,但这股风潮引发当局的不满,1979至1983年初期拍摄的40%的影片都被禁止上映。经过无序的几年动荡后,伊朗电影亟需行之有效的管理规定。1982年,穆罕穆德-哈塔米任伊朗文化和伊斯兰指导部长,成为转折点,当局先后出台了一系列调整改革措施以保证伊朗国内电
“I’ve always been suspended between seasons, like the debris in a straw.” - Abbas was branded a revolution The Islamic revolution in February 1979 paralyzed Iran’s film industry until 1983. From 197g to 1982, the vast majority of local films released in Iran were taken before the revolution. Since then, the revolution and the overthrow of the Shah regime have become the subject of love for Iranian filmmakers. However, this trend has aroused the dissatisfaction of the authorities. From 1979 to 1983 Forty percent of the films shot in early New Year are banned. After years of turmoil in disorder, Iranian films are in urgent need of effective regulations. In 1982, Muhammad-Khatami became Iranian Minister of Culture and Islamic Guidance and became a turning point. The authorities successively issued a series of readjustment and reform measures to ensure Iran’s domestic power