二胡是中国的传统拉弦乐器,以其优美细腻圆润抒情的音色和表现力强的特点深受人们喜爱,现已成为中国民族乐器的代表。在拉弦乐器中,右手的运弓是其基础,右手运弓问题的解决贯穿于二胡学习的始终。而空弦练习是解决运弓问题的关键,它关系到二胡演奏的音色、音质、速度、清晰度等多种二胡演奏技巧,绝不仅是空泛无用、一带而过的右手技法。但在实际中,二胡练习者往往容易忽略这项基础基本功练习。对此,本人就自身的学习实践,谈谈个人对空弦练习重要意义的认识。 Erhu is China’s traditional bowed stringed instrument, with its elegant and delicate lyrical tone and expressive features loved by people, has now become the representative of Chinese folk instruments. In the stringed instruments, the bow of the right hand is the basis for the solution of the right hand bow throughout the erhu learning. The empty string practice is the key to solve the problem of bowing, which is related to erhu playing sounds, sound quality, speed, clarity and other erhu playing skills, not only is empty but useless, passing the right hand technique. However, in practice, erhu practitioners tend to easily ignore this basic basic skill practice. In this regard, I on their own learning practices, talk about personal understanding of the significance of empty string practice.