经典一直是学术界言人人殊的话题,而在讲究“隔代论史”的本土文化语境里,中国现当代文学学科对于20世纪中国文学典律构建的种种努力,与其说是一种正名化的宣示,毋宁更昭示一种“正典”化的焦虑。又因为现当代文学“正在进行时”的性质,其典律构建所召唤的读者参与意识要远比学习古典文学热情得多,“经典”建构也呈现出远比古典文学面向多元、复杂的态势。进入21世纪以来,借 Classics have always been the subject of scholarly scholarship. In the local cultural context that stresses the history of every generation, the efforts of Chinese contemporary and contemporary literature in constructing the Chinese literary canon in the 20th century are not so much A notarized proclamation, rather, more clearly shows a kind of “canonization” of anxiety. Because of the nature of modern literature “Ongoing ”, the readers’ awareness of the construction of its code is much more enthusiastic than that of learning classical literature. “Classic ” construction also shows far more diversification than classical literature , Complex situation. Since entering the 21st century, borrow