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因为几次在一起写生的机缘,我与江向东相识。当时他正跟随著名油画家白羽平学习风景写生。我一开始就注意到他的写生,因为他的画面中有着与一般同学不一样的特质。很显然,江向东有着此前学院训练方式所打下的很好的绘画基础。只要经历过此阶段学习的人,一眼就可以觉察出其中所熟悉的那个训练方式下的特点,而今天的青年学生或许对曾经的这个模式已经很陌生了。直至20世纪80年代,中国的学院美术教育还有着很明显的教学模式,比如讲究准
Because several times together sketching opportunities, I know Jiang Xiangdong. At that time, he was following the famous oil painter Bai Yu-ping to learn landscape painting. I noticed his sketches from the very beginning, because he had different qualities in his picture than those of his classmates. Obviously, Jiang Xiangdong has a very good painting foundation laid out by previous college training methods. As long as people who have undergone this phase of learning can see the characteristics of the training mode familiar to them at a glance, today’s young students may be unfamiliar with this model once. Until the 1980s, China’s college art education also has a very obvious teaching model, such as pay attention to accurate