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文章选取广州中山纪念堂作为中国固有式建筑的研究代表,根据收集到的建筑图纸和相关文献资料对建筑作品进行解析。通过对纪念堂平面原型和立面构图的探究与重读,试图揭示学成归国的吕彦直在建筑思想、观念和方法上有着怎样的渊源,又如何将建筑设计与民族复兴的使命相结合?同时,对比了从1927年到1930年总平面图纸的变化,衍生出建筑群到建筑体的转变。
This article chooses the Guangzhou Zhongshan Memorial Hall as the research representative of Chinese inherent type architecture, and analyzes the architectural works based on the collected architectural drawings and related documents. Through the exploration and re-reading of the prototype of the Memorial Hall and the composition of the facade, I try to reveal the origins of the architectural ideas, concepts and methods that Lu Zhanyan studied directly and how to combine the architectural design with the mission of national rejuvenation. , Contrasting the changes of the general plan drawings from 1927 to 1930, derived from the transformation of buildings to buildings.