在国际金融危机的大背景之下,以及面对着内部格局变动的双重压力,中国虽面临挑战,但并非没有机会。“中国概念”实为一个文化、经济与政治三个接口的体系,同时中国作为新兴市场的代表,在艺术市场领域,像在经济领域一样越来越激起世界人民的热情。尤其是经典艺术,无论在技法和观念上都在美术史上奠定了地位,然而这种价值是与长久 Under the background of the international financial crisis and facing the dual pressures of changes in the internal structure, China is not without chance despite the challenges it faces. “China Concept ” is actually a system of three interfaces of culture, economy and politics. At the same time, as a representative of emerging markets, China is increasingly arousing the enthusiasm of the people in the world in the field of art market as in the economic field. In particular, classical art, both in terms of technique and concept, has established its position in the history of fine arts, however,