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《红旗谱》、《古船》、《白鹿原》作为当代家族叙事创作的经典,它们在叙事视角、叙事时空、叙事结构上都存在不少相似之处,但由于话语讲述的年代与讲述话语的年代的不同,同一个创作母题在当代小说中呈现三种不同的讲法,即革命话语中家族复仇的隐形结构,父子之间的精神相继,爱憎分明的叙事情感;启蒙话语中家国之间异形同构的结构形式,对乡村宗法社会历史与人性悲剧的理性审视,对人间苦难的悲悯情怀;民间话语中多条线索经纬交织的网状式结构设置,对村落家族文化的重新定位以及叙事中流露的挽歌情调。借助对三部经典不同叙事模式的阐释可以明显地看出当代家族母题小说创作叙事策略的演化轨迹。
As a classic classics of contemporary family narration, “Red Flag”, “Old Ship” and “White Deer Plain” all have many similarities in terms of narrative perspective, narrative time and narrative structure. However, since the age of discourse and the narration of discourse Different from generation to generation, the same motif of creation presents three different kinds of lectures in contemporary fiction, namely, the invisible structure of family revenge in revolutionary discourse, the successive spirit between father and son, and the narrative emotion in which love and hate are distinct; The isomorphic structure, the rational examination of the social history and human tragedy of the patriarchal clan in rural areas, the compassion of misery on human misery, the setting of a net-like structure in which many clues are interspersed in the folk discourse, the reorientation of the family clan culture in the village, In the show of elegy sentiment. With the explanation of the three different narrative modes, it is obvious that the narrative strategies of contemporary family motif creation evolve.