冯至,这位曾被鲁迅盛赞为“中国最杰出的抒情诗人”的现代诗人,在对艺术的追求、对生命的探索中创作出了‘沉思的诗’,为推动中国诗歌从浪漫主义到现实主义的转变作出了卓越的贡献。然而就冯至个人而言,其从早期抒情诗转向现代诗创作与存在主义有着若即若离、千丝万缕的联系。本文主要从三方面,即冯至早期诗歌中流露出的存在主义潜质;《十四行集》中散发出的存在主义气息;以及否定中的肯定--对存在主义的肯定,揭示了冯至及其诗歌与存在主义之间密不可分的内在与外在联系。 Feng Zhi, a modern poet once praised by Lu Xun for being “the most outstanding lyric poet in China,” has created “contemplative poems” in his quest for art and exploration of life in order to promote Chinese poetry from romance It has made outstanding contributions to the transformation of realism. However, as far as Feng himself goes, his transition from early lyric poetry to modern poem creation and existentialism has a peculiar and inextricable connection. This article mainly expounds the existentialism of existentialism in three aspects, namely, Feng Zhi’s early poems; existentialism exuded in “The Fourteen Elements”; and affirmation of negative affirmation-affirmation of existentialism, There is an inseparable internal and external relationship between his poetry and existentialism.