“小百花”现象自其孕育、萌芽至今,已经历了10余年的发展过程。那么,这10余年来,贯穿“小百花”艺术生产领域的规律性特征是什么呢?通过调查,我们认为,尽管其具体形态各异,但是“小百花”艺术生产中始终存在着一个根本性的倾向,或曰特点,即对戏曲艺术现代美的追求,在充分尊重戏曲艺术特定的结构原则,不损害其原有的艺术秩序的和谐状态的前提下,寻求戏曲的现代美,使戏曲艺术既适应时代,又不失去它自身太多的特点,使传统美与现代美相契合。这个总的艺术追求包涵着以下两个方面的内容: “Small flowers” phenomenon since its birth, germination so far, has undergone more than 10 years of development. So what has been the regular feature of art production in the past 10 years? Through surveys, we think that although there are different concrete forms, there is always a fundamental issue in the art of “miniature flowers” Or the characteristic of the drama, that is, the pursuit of the modern beauty of opera art, seeking the modern beauty of opera under the premise of fully respecting the specific structural principles of opera art without prejudice to the harmonious state of its original art order, Adapt to the times, without losing too much its own characteristics, so that the traditional beauty and modern beauty fit. This general art pursuit encompasses the following two aspects: