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出版社:浙江大学出版社本书是对中国古代美术史的颠覆性书写,借助回归先人的立场和视角,向读者展示了迥然不同的美术天地;“奇遇记”式的童话情境设计,不惟增强了通俗性、趣味性,更是“返魅”的直接体现。本书大胆否定了前近代中、外文明的同质性与同步性,直面中国文明被西方文明猛烈冲击的事实,指出美术史的错乱乃是历史认知错乱的结果,通过探讨古代美术变迁,尝试揭开中国文明史的内幕。
Press: Zhejiang University Press Book is a disruptive writing of the history of ancient Chinese art, with the return to ancestors’ position and perspective, to show readers a very different world of art; , Not only to enhance the popularity, interest, but also “rebound ” the direct embodiment. This book boldly negates the homogeneity and synchronicity of the early and later modern civilizations and directly addresses the fact that the Chinese civilization was severely hit by Western civilization. It points out that the disorder in the history of art is the result of misunderstanding of history. By exploring the changes in ancient art, Try to uncover the inside story of Chinese civilization.