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画家在进行架上绘画创作时,一般说来其思考大体限定在这样的范围内:自我感受及其在画面上的表现。但一幅画作总是要悬挂,人们不断发现,即使是一幅好画,也并非随便挂在什么环境中都“合适”。或者说,一个特定的室内环境,亦非随便悬挂什么画作都“得体”。这表明,架上绘画虽不追求“环境性”,但它却必须接受“环境性”的选择。
When the artist paints on the shelf, the general definition of his painting is generally limited to the range of self-perception and his performance on the screen. However, a painting is always hanging, and people continue to find that even a good painting is not “suitable” in any circumstances. In other words, a particular interior environment, nor what pictures are hanging casually “decent.” This shows that although the painting on the shelf does not pursue “environmental”, it must accept the choice of “environmental”.