在赵宝刚青春三部曲的收尾篇《北京青年》中,一种追踪时代的贴近感扑面而来,不仅是时代风习如此贴切,而且散发着青春气息。在该剧几乎和时代同步的情节演进中,故事框架、人物表现、尤其是创作者的时代认知给人以独特的现实感。细细察之,在其似乎没有曲折离奇的 In the closing song “Beijing Youth” of Zhao Baogang’s Youth Trilogy, a close-knit sense of the tracking era is not only so aptly modeled on the times but also exuding youthful vigor. In the episode evolution of this drama, which is almost synchronous with the times, the story frame, the performance of characters, and especially the cognition of the creators of the times give people a unique sense of reality. Careful observation, there seems no twists and turns in its bizarre