张大千落座三米茶台的另一端,依旧对着我侃侃而谈,携来西泠印社第三任社长、文史巨匠张宗祥先生的一幅草书书法立轴:夜山秋雨滴空廊,灯照堂前树叶光。对坐读书终卷后,自披衣被扫僧房。这首七绝,是唐人王建,雨夜寄宿石瓮寺,题赠二秀才的。尤其首句夜山秋雨滴空廊,一字一境,轻若鸿毛,又力被千钧。可谓唐诗真神采。张宗祥录唐人王建这首七绝,听雨、修禅、勤读、洒扫。也是在唐人的语境里抒写自己。他当时治事于 Zhang Daqian seated the other end of the three-meter tea table, still talking to me, carrying a third curator of Xiling Yinshe Society, Mr. Zhang Zongxiang, a literary history masterpiece of calligraphy vertical axis: Night Falls drip empty Gallery, lights Pre-church leaves light. Sitting on the book after the end of the book, since the drapery was Seng room. This first seven must, is the Tang Wang Jian, rainy day boarding stone Urn Temple, the title donated two scholar. In particular, the first sentence of the night drifts empty Gallery, word for word, light if feather, and force was cruel. Tang poetry can be described as vivid. Zhang Zongxiang recorded Tang Wang Jian this first seven must, listen to the rain, meditation, diligence, sweep sweep. It is also in the context of the Chinese to describe themselves. He was at work