日本浮世绘是16世纪到19世纪流传于江户时代的一种版画,19世纪初开始陆续进入欧洲,深受人们喜爱,甚至掀起了一股“日本趣味”热潮。马奈也被卷进这股热潮里。浮世绘版画对比强烈的主观色彩、独特视点的构图、没有景深的空间处理吸引了马奈,马奈创造性地把浮世绘版画运用到了自己的作品里,进而出现了我们今天看到的马奈的作品风格。 Japanese ukiyo-e is a type of prints circulating in the Edo period from the 16th to the 19th centuries. It began to enter Europe in the early 19th century and was deeply loved by people. It even created an upsurge of “Japanese taste”. Manet was also involved in this boom. Ukiyo-e lithograph contrast strong subjective color, the composition of a unique point of view, no depth of field processing attracted Manet, Manet creatively Ukiyoe lithographs applied to their own works, and then there we see the Manet’s Style of work