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20世纪90年代初,武汉音乐学院作曲系郑英烈教授开设一门《序列音乐写作基础》课程,曾分析罗忠镕创作于1980年的十二音作品《涉江采芙蓉》。当时大家从听觉到演唱都难以接受这个作品,真是“所思在远道……长路漫浩浩”。转眼30年过去了,像《涉江采芙蓉》这样的现代声乐作品在中国当下仍然少有公演的机会。因此,当初次聆听荷兰女中音歌唱家雅妮·普兰格的新音乐独唱音乐会时,便产生一种全新的听觉感受。
In the early 1990’s, Professor Zheng Yinglie, a composer at the Wuhan Conservatory of Music, opened a course entitled “Serial Music Writing Basics”. He analyzed the 12th soundtrack by Luo Zhongrong in 1980. At that time, it was hard to accept this work from the sense of hearing and singing, really “thinking in the distance ... long wayward Hao Hao.” In the blink of an eye, 30 years have passed. Modern vocal works such as “Involving Fur in the River” are still rare performances in China. So when you first listen to a new concert solo concert by Janna Planger, the Dutch singer, you have a whole new sense of hearing.