“七宫还原”辨——从北京智化寺与胜芳北音乐会的理念管窥中西律学差异

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“七官还原”是中国特有的一种古老音乐技艺,它与古代文献上记载的“五旦七声”、“八十四调”、“燕乐二十八调”等理论有着千丝万缕的联系,是中国古代主流音乐文化的重要组成部分。对于河北省霸州市胜芳镇“北音乐会”中能够用七个调来演奏一首曲目的“翻七调”技艺是否属于“七宫还原”的词:题,北京智化寺京音乐的传承人提出了相左意见。从二者的理念分歧中,可以看出在近代西方律学体系影响下的音乐观念与中国乡土社会中保存的传统音乐理念的差异。 “Seven officials restore ” is an ancient Chinese unique musical skill, it is recorded with the ancient literature “five once seven sound ”, “eighty-four tune ”, “ ”And other theories are inextricably linked, is an important part of ancient Chinese mainstream music culture. For the song “Seven Seventh Heaven”, a skill that can play seven tracks in Shengfang Town, Bazhou City, Hebei Province, “North Concert” Beijing Zhihua Temple Beijing Music Proponents put forward different views. From the disagreements between the two, we can see the differences between the musical concepts under the influence of the modern western legal system and the traditional musical concepts preserved in the Chinese native society.
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