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对于转型期审美文化的特征,我们可以从多种多样的角度进行分析与归类。当然任何角度的分析,均有其合理性,也有其片面性,都不可能尽述审美文化的所有特征。基于此,本文将选取对象的平面性、主体的零散化这两个最为突出的层面对转型期审美文化的特征进行说明。
We can analyze and classify aesthetic cultures in the transitional period from a variety of perspectives. Of course, analysis from any angle has its rationality and one-sidedness. It is impossible to describe all the characteristics of aesthetic culture. Based on this, this article will illustrate the characteristics of the aesthetic culture in the transformation period by selecting the two most prominent aspects of the object’s planarity and the subject’s fragmentation.