这次我们中国戏剧家代表团访问日本,十五天里看了十四台戏,而儿童剧却占了三分之一。为什么他们这样重视儿童剧呢?一位著名的日本戏剧家说得好:儿童剧不仅是为了今天的观众,更是为了明天的观众和观众的明天。我们到东京后看的第一个节目就是儿童剧,一台适合幼儿看的木偶剧。这一场戏共有两个木偶剧,提线与杖头并用。第一个剧目名叫《动物乐队》,是川尻泰司根据民间传说编写的,导演是星野毅。内容很简单: This time our delegation of Chinese dramatisists visited Japan and read fourteen plays in fifteen days, while children’s plays took up one third. Why do they attach so much importance to children’s drama? Well-known Japanese dramatist put it well: Children’s drama is not only for today’s audience, but also for tomorrow’s spectators and spectators tomorrow. The first show we came to Tokyo was a children’s play, a puppet show for toddlers. There are two puppet shows in this scene, with thread and stick. The first repertoire called “Animal Band” is based on folktales Chuan Tae Si, director is Hoshino. The content is simple: