《桃鸠图》与《五色鹦鹉图》有异曲同工之妙。画面左边描绘了一只设色华丽,栖息在桃枝上的侧面绿鸠,乍一看,绿鸠给人感觉好像直接用平涂的手法,但仔细观察,你就会发现画家一面惜墨如金,一面巧妙使用色线勾勒羽毛来丰富鸠的厚实体积,此法既吸收五代徐熙和徐崇嗣的没骨画法而又作区别,即在细部依然有明确的轮廓线。设色则是根据画面不同部分来加以分设,如用墨线勾勒桃花轮廓然后涂色渲染,以生漆点睛而独具神采。是画工整细致,画面色彩浓而不艳、鲜润而和谐。徽宗的这类 “Peach dove map” and “five-color parrot map” have the same purpose. At the first glance, the green dove feels as though it was directly painted by hand. However, if you look closely, you will find that the artist paints a golden ink and cleverly clever The use of color lines to outline feathers to enrich the thick volume of doves, this method not only absorbs five generations of Xu Xi and Xu Chongsi boneless painting but make a difference, that is, there are still in the details of a clear outline. Set the color is based on the different parts of the screen to be divided, such as the outline of the peach with ink lines outline and then painted rendering, with lacquer eye-catching and unique look. Is a fine painter, the screen color thick and not Yan, fresh and harmonious. Huizong this type