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受西方批评话语的强势包围,建构有中国特色的文学批评模式乃形势所迫。“感兴”是具有中国民族传统和文化底蕴的文学批评模式。尽管它在参与建设中国现代文论的过程中遭遇困境,但不应当被遗忘,而应当在中西交融中获得新元素和新力量。感兴批评法从审美体验入手,与修辞论美学结合,展现民族传统批评法的新貌和解释效力,从而融入现代文论的话语环境。
Surrounded by the strong criticism in the West, the construction of a literary criticism model with Chinese characteristics is impeded by the situation. “Hing Hing ” is a literary criticism model with Chinese national tradition and cultural heritage. Although it encountered difficulties in its participation in the construction of modern Chinese literary criticism, it should not be forgotten. Instead, it should gain new elements and new forces in the integration of Chinese and Western cultures. Vitalizing criticism starts with the aesthetic experience and combines with the rhetoric aesthetics to show the new appearance and explanatory power of the traditional national criticism method and thus integrate into the discourse environment of modern literary theory.