祁海平以写实绘画为基点,在中国书法和西方音乐之间漫步。他长期研习传统书法,进行“现代书法”创作。从音乐中感悟到精神的魅力,找到了一条通向心灵的途径。在绘画创作上,他自觉地将中国绘画和书法的意境和趣味融入油画创作,形成文人韵味。或是一种清雅的书卷气,或是粗粝敦厚,如现实生活中的泥土和草木的生机。这些都在他笔下汇聚成为蕴藉、空灵、耐人寻味的境界……以使人感动的情味,表现人在流动不居的自然中的感触。温暖的黑、白、灰节奏在画面上自由运行,它们的出现与组合既是有力度的,又是柔和而润泽的,像用蘸满水墨的大笔挥写的书法,很少素描或版面的细微层次和明晰的形体边界。与西方抽象表现主义画家中接近中国书法趣味的托贝、克莱因、马瑟韦尔等人的风格有所不同,祁海平追求着更加繁复的内涵。——水天中(著名美术评论家,中国艺术研究院研究员)抽象表达作为一种现代性的艺术方式,其美学原则是赋予抽象以象征意义,将象征的对象规定为“我”的内在的心理和精神。祁海平的抽象艺术探索在遵循抽象艺术一般的法则之外,一直注重抽象 Qi Haiping takes the realistic painting as the starting point, strolls between Chinese calligraphy and western music. He long-term study of traditional calligraphy, “modern calligraphy” creation. Feel the charm of the spirit from the music, found a way to the soul. In the painting creation, he conscientiously combines the artistic conception and taste of Chinese painting and calligraphy into the creation of oil paintings, forming a scholarly charm. Or an elegant bookish, or rough, such as the real life of the earth and vegetation vitality. These are brought together in his writing to become a metrosexual, ethereal and intriguing realm ... with a touch of human touch and a reflection of one’s feelings in the midst of a fluid nature. Warm black, white, gray rhythm runs freely on the screen, their appearance and combination of both intensity, but also soft and moist, such as with a large ink pen filled with calligraphy, few sketches or layout Subtle levels and clear body boundaries. Unlike the styles of Toby, Klein, Motherwell and others who are close to the calligrapher’s interest in Western abstract expressionist painters, Qi Haiping pursues more complicated connotations. - Abstract Expression of Water and Sky (a famous art critic and researcher at China Academy of Art) As a modern artistic method, its aesthetic principle is to give abstract the symbolic meaning and to define the symbolic object as “I” Inner psychology and spirit. Qi Haiping’s exploration of abstract art has followed the general principles of abstract art and focused on abstract