中国古典舞创建至今,尚数一个年轻的学科,而身韵的研究不是一蹴而就能解决的问题,而是一个不断学习、不断研究、不断认识、不断实践、不断总结的过程,是一个周而复始逐渐上升的过程。“中国古典舞身韵”自20世纪80年代创建以来,作为当代“中国古典舞”训练体系的“核心课程”之一,承担着“中国古典舞”学科人才培养的重任,身韵的创立与研究,对确定中国古典舞学科审美价值、审美取向,建设与完善“中国古典舞”学科语言体系与教学体系 Since the founding of classical Chinese dance, a young subject has yet to be found. However, the study of body charm is not a one-off problem that can be solved in a single step. Rather, it is a process of continuous study, continuous research, continuous recognition, continuous practice and continuous conclusion. The process of ascension. Since its establishment in the 1980s, “Chinese classical dancer body rhyme” has been one of the “core courses” of the training system of contemporary “Chinese classical dance” and has undertaken the training of “Chinese classical dance” disciplines The establishment and study of the body charm, the aesthetic value, aesthetic orientation, construction and perfection of the classical Chinese dance disciplines, the language system and teaching system of “Chinese classical dance”