作为一个附着成分,“的”本身在韵律上不能独立,而必须依附于毗邻的黏附组。由于这一特点,“的”在汉语节律的构建过程中起着极其重要的作用。本文对韵律词法和韵律句法中的“的”分别予以考察,通过语言事实和理论探讨表明,“的”按其来源应一分为二:纯语法运作而生成的“的”以及韵律与语法交织而致的“的”。 As an attachment, “” itself can not be rhythmatically independent, but must be attached to the adjacent adhesion group. Because of this feature, “” plays an extremely important role in the construction of Chinese rhythm. This paper examines the “” of prosodic lexical and prosodic syntactic respectively, and through language facts and theoretical discussions, it is shown that “” should be divided into two parts according to their origin: pure grammar generated “And the interweaving of rhythm and grammar ”.