二、评李曙明的中国古代音乐美学研究李君自称其“音心对映”——“和律论”观念是“从东西方音乐美学比较研究之视角,在当代中国音乐美学思潮中孕动的一个新型理论命题”(《比较》)。因此,为求全面评价“和律论”,就不得不同时考察他所作的东西方音乐美学比较研究。 Second, comment on Li Shuming’s study of Chinese ancient music aesthetics Li Jun claimed that his concept of “harmony of mind and heart” - “the theory of harmony” is “from the perspective of the comparative study of eastern and western musical aesthetics, pregnant in contemporary Chinese musical aesthetics A new theoretical proposition ”(“ comparison ”). Therefore, in order to fully evaluate the “law and theory,” we have to examine the comparative studies of eastern and western music aesthetics made by him at the same time.