唐代的坐、立部伎是很多研究唐代音乐史的学者所关注的对象,本文拟在收集前人的研究成果(专著和论文两方面)基础上作一总结和讨论。 Sitting and standing in the Tang Dynasty are the objects of many scholars who study the history of music in the Tang Dynasty. This article intends to make a summary and discussion on the basis of collecting the research results of predecessors (monographs and dissertations).