《藏舟》是秦腔传统剧《游龟山》又名《蝴蝶杯》中的著名折子戏,本文以这一折戏为切入口,以分析人物语言归纳人物艺术形象为手段,借助文本细读的方法,从“女性的阳刚之美”、“女性的含蓄之美”、“女性的爱情观”三个角度对于陕西文化中女性的性别身份的书写做了探讨,进而通过将陕西文化与中国传统文化的类比,将陕西女性性别身份的书写上升到中国传统文化中女性性别的书写层面,进一步探讨了中国传统文化中的女性形象。 “Tibetan boat” is a famous folk play in the traditional opera “Tour Gui Shan”, also known as the “Butterfly Cup” of the Qin Dynasty. Based on the analysis of the artistic images of characters and characters, this paper uses the text to read carefully This paper discusses the writing of women’s gender identities in Shaanxi culture from the perspectives of “feminine masculinity”, “feminine subtle beauty” and “feminine love concept” The analogy between culture and Chinese traditional culture raised the writing of female’s gender identity in Shaanxi to the writing of female gender in traditional Chinese culture and further explored the female image in Chinese traditional culture.