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多年来,由于传媒功能过于偏倾,民歌的话语权被覆盖殆尽;城市的高速膨胀,使得越来越多的人从乡间流到庞杂的水泥地上。离开故土,滋养的环境变了,生存节奏变快,让人们无法在安身立命的同时,再回首那些田园中的感觉。所以,我们总是在一种寻找的状态下工作,这些民歌手在城市的文化档案中无从查考,在传媒人的企划、思考中属于空白地,是“文化人”所不知的一部分。我们寻访民歌实际上是没有定位的,骑马找马、信马由缰,沿着民歌的分布区域,找寻歌种的生存状态。
Over the years, due to the over-inclination of media functions, the voice of folk songs was completely covered. The rapid expansion of cities made more and more people flow from the country to the concrete floor. Leave their homeland, nourishing the environment has changed, the pace of survival faster, so that people can not settle down at the same time, then look back the feelings of those pastoral. Therefore, we always work in a state of search. These folk singers are unable to examine the city’s cultural archives and belong to the blank in the planning and thinking of the media people and are not known to the “cultural people.” We are actually looking for folk songs is not located, riding to find horses, relying on the reins, along the distribution area of folk songs, to find the survival of song species.