神话传说作为文学的起源,“死后化身”现象代表了中国传统神话的典型内涵。在《搜神记》中“马化蚕”讲了赎罪意识,冯至的《蚕马》讲了惩罚意识,《张曼娟妖物志》解放了蚕、马和人。这几部作品中都写到的是蚕、马的“死后化身”现象,这种化身随时间的变迁体现了不同的结果。 Myths and legends as the origin of literature, “incarnation after death” phenomenon represents the typical connotation of Chinese traditional mythology. In “Searching for God”, “Ma Bombyx” tells the concept of atonement, Feng Zhi’s “Silkworm” tells about the sense of punishment, and “Zhang Manjuan’s demon” releases the silkworm, horse and human. What these writers have written are the phenomena of silkworm, horse’s “incarnation after death” phenomenon, which shows different results with time.